11/8/2022 0 Comments Spyro the dragon musicNotably, Silvus was used in demo builds of the game as the name of the cowardly dragon in the Artisans home, which was renamed to Tomas in the final release. The name listings for all of the dragons and balloonists (as well as Toasty and Jacques) contain a few names which go unused by any of the characters found in the final game. It is itself found in the name of the boss Dr. The term "Shemp" is an internal joke among the developers, as if something didn't go as planned, or if someone messed up, they "got the Shemp". Insomniac also managed to sneak this into the files of the second and third game. It was the best of times, it was the worst of times. Nice job, Ben!"Īgreed this isn't an aggressive/foreground ReMix that demands your undivided attention per se, but it's got a very comfortable groove that it works with, modernizing the source tune's jazzier atmosphere & centering attention around DAT BASS.The demo used on a standalone demo disc released in 1999, with similar content to the above demo.Ī rather cryptic compendium of text, repeated multiple times to fill up leftover space on the disc, can be found in the "DRAGON" file, containing extracts from Shakespeare, Dickens, Melville, Edgar Allen Poe, and other esteemed authors. The overall energy here was pretty understated, but the elements that were there glued together nicely for a reasonably full soundscape. Writing-wise, the dynamics were subtle but solid. I really appreciated Justin's arrangement breakdown, which made it easy to clarify and co-sign on the source usage. "Texturally, the opening layerered claps were a lil' thin, but serviceable. I'm glad to have both him & the Spyro series finally represented on OCR!Īs for the mix, not quite sure why the title is "Acoustic Fields," as this is a slower house/chillout sorta jam, with organ stabs & riffs peppering a four-on-the-floor kick groove, syncopated percussion, & an unapologetic saw bass that filters, bends, and remains a focus for the majority of the track. I was psyched to see a member of one of my favorite bands of all time pursue composing for games, and at the time I think his doing so actually had a legitimizing effect for the profession. The Police are one of my favorite bands, a huge part of their sound was Copeland's impeccable & brilliant drum work, and his post-band career as a composer has been really successful, with excellent work in both film & games. Enjoy!"įirst off, a quick word about Stewart Copeland, one of the two composers of this specific Spyro game, along with Ryan Beveridge. In this remix, I just wanted to enhance some of the cool drum patterns, and give it a more melodic spin. "Midday Gardens" was a rather odd song out of Spyro 3, but that doesn't make it any less awesome! The seemingly random assortment of instruments seem to work together perfectly to create a cool, chilled out atmosphere. The music was always my favorite part of the games, and I sometimes enjoy playing those old soundtracks when I'm busy with my school assignments. The original Spyro trilogy holds many fond memories for me growing up. "I find it rather surprising that there isn't a single Spyro the Dragon remix on OC ReMix. To celebrate, we've got out FIRST ReMix from the Spyro series, as Arceace offers up a bass-driven EDM arrangement from Spyro: Year of the Dragon, the third & final outing for the series on the PS1, where it began back in 1998.
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